PROJECT: G.E.C.
GENERATIVE ENDLESS CONFIGURATIONS /
ongoing

Oscillating between pictorial and sculptural works, abstract and figurative, Generative Endless Compositions (GEC) is a modality of art production that characterises FZ’s certain bodies of works, in which the act of fragmentation/
reconfiguration of the artworks constitute the work as much as the artworks themselves.
GEC deals with topics of subjectivity and intersubjectivity, transformation, constant evolution and simultaneous variability.
It can be connected to human condition in the context of contemporary society, to natural evolution, to the ambiguous repercussions of scientific discoveries, or to exercise viewers imagination on chain reactions and alternatives analysis.
Looking for new imaginary common grounds, or simply offering new playgrounds for exploration and wonder.

If You Asked Me About A Flower
What Would I Say
Upcoming October 2024

Surfaces
Overview

Postcards From Space
Overview


Bang - Complete Series, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Recombined, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Complete series, 2020 Spacetime - Recombined, 2020 Nebula - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Nebula - Recombined, 2020 Spacetime - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Postcard From Space - Recombined, 2020 Postcard From Space - Recombined, 2020 Postcard From Space - Recombined, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime, Bang, Nebula - Recombined, 2020 Spacetime, Bang, Nebula, 2020

There Is No Right There Is No Wrong
Overview

Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020
  FRANCESCO ZORZI (Italy) Francesco Zorzi is a multidisciplinary artist based in Amsterdam working with a wide variety of mediums, informed by his background in design, his love for the world of Color and his fascinations into the mechanics of vision, perception and interpretation of reality. His works are united by the quest for the qualities of what makes us ‘human’, reflecting on how we interact with what’s in front of our eyes, how we make sense of it and how we explore the inner-worlds we create with it. His explorations - whether dissecting Colors or Shapes - can be seen as an ongoing study on the structure of their inner components and the interaction between each other. These abstract configurations are like fragments of a kaleidoscope in perpetual movement without a beginning or an end, offering the viewers a moment of reflection, new playgrounds for exploration and wonder. His visually ambiguous wax-crayons works, are an investigation on Color in itself: its visual perception as well as the duality of Color as both lightwave and matter. Each artwork is the result of a complex layering of various wax-crayons sticks of different tones, applied next to and on top of each other, creating an ever evolving, ever pulsating flux of constant dynamic movement. The appearance of their colors and the structure of their wax influence directly the ways they interact and ‘talk’ with each other, mutually attracting or repelling one another. They can create harmony or tension. Sometimes they blend and dance together at different speed, in an homogenous flow or in multiple streams and directions. Sometimes they clash and come into conflict with one another. These brightly-hued abstract artworks are as much about color as they are of about emotions altogether: on one side they explore the phenomenological impact color has on human perception (seen from the point of view of the viewer being in front of the artworks); on the other they interact with the ineffable emotions and sensations guiding the process of mixing the crayons (seen from the point of view of the artist producing the artworks). The colors of each artwork are immersive, physical and tactile, just like the process of its creation: Ethereal and vibrating but also palpable and present at once.