PROJECT: G.E.C.
GENERATIVE ENDLESS CONFIGURATIONS /
ongoing

Oscillating between pictorial and sculptural works, abstract and figurative, Generative Endless Compositions (GEC) is a modality of art production that characterises FZ’s certain bodies of works, in which the act of fragmentation/
reconfiguration of the artworks constitute the work as much as the artworks themselves.
GEC deals with topics of subjectivity and intersubjectivity, transformation, constant evolution and simultaneous variability.
It can be connected to human condition in the context of contemporary society, to natural evolution, to the ambiguous repercussions of scientific discoveries, or to exercise viewers imagination on chain reactions and alternatives analysis.
Looking for new imaginary common grounds, or simply offering new playgrounds for exploration and wonder.

If You Asked Me About A Flower
What Would I Say
Upcoming October 2024

Surfaces
Overview

Postcards From Space
Overview


Bang - Complete Series, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Postcard artwork, 2020 Bang - Recombined, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime - Complete series, 2020 Spacetime - Recombined, 2020 Nebula - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Nebula - Recombined, 2020 Spacetime - Postcard artwork, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Postcard From Space - Recombined, 2020 Postcard From Space - Recombined, 2020 Postcard From Space - Recombined, 2020 Nebula - Postcard artwork, 2020 Spacetime - Postcard artwork, 2020 Spacetime, Bang, Nebula - Recombined, 2020 Spacetime, Bang, Nebula, 2020

There Is No Right There Is No Wrong
Overview

Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020
  Francesco Zorzi is an Italian artist based in Amsterdam. His formal research is characterised by an abundance of materials and techniques, informed by his background in applied arts and further conceptualised within art. In an era of increasing interest in digital technologies, FZ diverse application are united by the quest for the qualities of what makes us ‘human’. His contemporary work explore aspects of perception and interpretation of reality, the inner-worlds we inhabit as subjects or a collective, and how we interact with them. FZ develops his visual and sculptural works as tools to interpret and reflect on how we navigate through reality as humans in the present times. His works are influenced directly by his fascinations, jumbling together in a flux of shapes and colours like in a kaleidoscope in perpetual movement. Color and tactility are elements always present in FZ research, as reality happens simultaneously as a duality of lightwaves and matter, fundamentally ambiguous, about interactions between things and how things interact with one another. Oftentimes introducing elements of evolution and reconfiguration in the way his works are put together, he creates a multitude of simultaneous points of view to convey the viewers a sense of active interpretation of what is in front of them, to meditate on the way they create a model of the world, which is different for everyone and in constant transformation. These interpretations can be read as reflections on human condition in the context of contemporary society, as well as his personal interest for scientific knowledge and quantum physics. Looking for new imaginary common grounds, or simply offering the viewer new playgrounds for exploration and wonder.