BANG /
Postcards From Space
2020


The Big Bang is a cosmological model of the observable universe from the earliest known periods through its subsequent large-scale evolution. The model describes how the universe expanded from an initial state of extremely high density and high temperature, and offers a comprehensive explanation for a broad range of observed phenomena.
After its initial expansion, the universe cooled sufficiently to allow the formation of subatomic particles, and later atoms.
Giant clouds of these primordial elements – mostly hydrogen, with some helium and lithium – later coalesced through gravity, forming early stars and galaxies, the descendants of which are visible today.

Bang, 2020
Individual drawings
W 155 x H 115 mm
Wax-crayons on Archer 300g watercolour paper, clear fixative

Bang, 2020
Complete series (36 artworks)
W 155 x H 115 mm
Wax-crayons on Archer 300g watercolour paper, clear fixative
  Francesco Zorzi is an Italian artist based in Amsterdam. His formal research is characterised by an abundance of materials and techniques, informed by his background in applied arts and further conceptualised within art. In an era of increasing interest in digital technologies, FZ diverse application are united by the quest for the qualities of what makes us ‘human’. His contemporary work explore aspects of perception and interpretation of reality, the inner-worlds we inhabit as subjects or a collective, and how we interact with them. FZ develops his visual and sculptural works as tools to interpret and reflect on how we navigate through reality as humans in the present times. His works are influenced directly by his fascinations, jumbling together in a flux of shapes and colours like in a kaleidoscope in perpetual movement. Color and tactility are elements always present in FZ research, as reality happens simultaneously as a duality of lightwaves and matter, fundamentally ambiguous, about interactions between things and how things interact with one another. Oftentimes introducing elements of evolution and reconfiguration in the way his works are put together, he creates a multitude of simultaneous points of view to convey the viewers a sense of active interpretation of what is in front of them, to meditate on the way they create a model of the world, which is different for everyone and in constant transformation. These interpretations can be read as reflections on human condition in the context of contemporary society, as well as his personal interest for scientific knowledge and quantum physics. Looking for new imaginary common grounds, or simply offering the viewer new playgrounds for exploration and wonder.