SERIES:
THERE IS NO RIGHT
THERE IS NO WRONG 
2019 

There Is No Right There Is No Wrong is a quest for new modalities of visual composition combining fast random hand gestures and meticulous formal re-configurations.
It explores the recursive and generative potential of a quickly drawn doodle-like line translated into a physical medium, and especially the process of rearranging the various parts generated by this randomic gesture (and its subsequent cut into the material) into three-dimensional non-objective compositions of various typologies.
It is a dialogue between contrasting opposites: the spontaneity of the generation of randomic forms and the necessity to control and balance its composition, in an almost primordial activity of discovering possibilities expressed directly by the forms and their affordances. Turmoil and order and the tension to free floating forms - yet following specific sets of parameters, which are different each time.
Every single choice taken along this process of re configuration of the elements is relevant, and has small and big impacts on the following moves, as well as the growth and the development of the whole system.
It can be seen as a metaphor of our life, as we proceed through chaos.
This series is made up of two groups of works (Line 1 and Line 2) each one generated by a single line. 

Collection Overview


Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Drawing in Black, G.E.C. Line 1, 2019 Drawing in Colors, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 Cut-Out, G.E.C. Line 1, 2019 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 All-Round Painting, G.E.C. Linei 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Bas-Relief Painting, G.E.C. Line 1, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Drawing in Crayons, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 Bas-Relief Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020 All-Round Painting, G.E.C. Line 2, 2020
  Francesco Zorzi is an Italian artist based in Amsterdam. His formal research is characterised by an abundance of materials and techniques, informed by his background in applied arts and further conceptualised within art. In an era of increasing interest in digital technologies, FZ diverse application are united by the quest for the qualities of what makes us ‘human’. His contemporary work explore aspects of perception and interpretation of reality, the inner-worlds we inhabit as subjects or a collective, and how we interact with them. FZ develops his visual and sculptural works as tools to interpret and reflect on how we navigate through reality as humans in the present times. His works are influenced directly by his fascinations, jumbling together in a flux of shapes and colours like in a kaleidoscope in perpetual movement. Color and tactility are elements always present in FZ research, as reality happens simultaneously as a duality of lightwaves and matter, fundamentally ambiguous, about interactions between things and how things interact with one another. Oftentimes introducing elements of evolution and reconfiguration in the way his works are put together, he creates a multitude of simultaneous points of view to convey the viewers a sense of active interpretation of what is in front of them, to meditate on the way they create a model of the world, which is different for everyone and in constant transformation. These interpretations can be read as reflections on human condition in the context of contemporary society, as well as his personal interest for scientific knowledge and quantum physics. Looking for new imaginary common grounds, or simply offering the viewer new playgrounds for exploration and wonder.